Skip to content

Menu

  • Jazz Projekt Binzen
  • elektronisch-experimentelle-musik & theorie
  • Spektralmusik Spektralismus Fourier
  • Gedanken von mir und anderen
  • Musik Spiritualität Mystik Politik
  • Klanglandschaften
  • Interessen allgemein
  • Avantgarde Electronic Experimental
  • Computer Music & Horror Vacui
  • Eigenes Afrigal
  • AI/KI Kunst Live Coding
  • Coding //******
  • Kunst, Raum & NEUE Musik
  • generative art
  • Hardware Hacking & Circuit Bending
  • modular&Co
  • afrigal udo matthias
  • afrigal udo matthias#2
  • afrigal udo matthias#3
  • afrigal udo matthias#4
  • afrigal udo matthias#5
  • Afrika & Afrigal
  • Newsletter Afrigal
  • Folgen mit Datenschutz Erklärung
  • Ablaze Records
  • diverse Links
  • Eric Dolphy
  • Ornette Coleman
  • Frank Zappa
  • Free Form Jazz
  • freie Improvisation
  • Improvisierte Musik
  • Fusion
  • Fusion 2
  • Fusion 3
  • guitar man !!
  • Iron Maiden
  • Jazz neue Drums
  • Jazztime 1
  • Jazztime 2
  • Jazztime 3
  • King Crimson
  • Masterclasses
  • Metal
  • Musik Archäologie – Music archeology
  • NEO Krautrock & Show me your Lips
  • New Thing & History
  • nicht’s Neues
  • Noise Rock
  • Pink Floyd
  • Prog
  • index
  • My Toe
  • Datenbank meiner Lehrtätigkeiten uralt

Archiv

  • Januar 2026
  • Dezember 2025
  • November 2025
  • Oktober 2025
  • September 2025
  • August 2025
  • Juli 2025
  • Juni 2025
  • Mai 2025
  • April 2025
  • März 2025
  • Februar 2025
  • Januar 2025
  • Dezember 2024
  • Oktober 2024
  • September 2024
  • August 2024
  • Juli 2024
  • Mai 2024
  • April 2024
  • März 2024
  • Februar 2024
  • Januar 2024
  • Juli 2023
  • Juni 2023
  • Mai 2023
  • April 2023
  • März 2023
  • Januar 2023
  • Dezember 2022
  • November 2022
  • Oktober 2022
  • September 2022
  • August 2022
  • Juli 2022
  • Juni 2022
  • Mai 2022
  • April 2022
  • März 2022
  • Februar 2022
  • Januar 2022
  • Dezember 2021
  • November 2021
  • Oktober 2021
  • September 2021
  • August 2021
  • Juli 2021
  • Juni 2021
  • Mai 2021
  • April 2021
  • März 2021
  • Februar 2021
  • Januar 2021
  • Dezember 2020
  • November 2020
  • Oktober 2020
  • September 2020
  • August 2020
  • Juli 2020
  • Juni 2020
  • Mai 2020
  • April 2020
  • März 2020
  • Februar 2020
  • Januar 2020
  • Dezember 2019
  • November 2019
  • Oktober 2019
  • September 2019
  • August 2019
  • Juli 2019
  • Juni 2019
  • Mai 2019
  • April 2019
  • März 2019
  • Februar 2019
  • Januar 2019
  • Dezember 2018
  • November 2018
  • Oktober 2018
  • September 2018
  • August 2018
  • Juli 2018
  • Juni 2018
  • Mai 2018
  • April 2018
  • März 2018
  • Februar 2018
  • Januar 2018
  • Dezember 2017
  • November 2017
  • Oktober 2017
  • September 2017
  • August 2017
  • Juli 2017
  • Juni 2017
  • Mai 2017
  • April 2017
  • März 2017

Calendar

Januar 2026
M D M D F S S
 1234
567891011
12131415161718
19202122232425
262728293031  
« Dez.    

Kategorien

  • Afrigal
  • Afrigal
  • Art Kunst allgemein
  • Ästhetik
  • Blues & Rock
  • Computer Music
  • diverse Links
  • drummer
  • elektronische Klangmusik
  • experimental
  • Filmkunst
  • Free Improvisation
  • Free Jazz
  • Hacking electronic
  • Industrial
  • Jazz
  • Klanglandschaften
  • Kunst Raum Neue Musik
  • Lärm
  • Musik & Spiritualität
  • Neo Krautrock
  • Noise
  • NOISE
  • positive Negativität
  • Power Electronic
  • Psychoakustik
  • Radio & Co
  • Soundart
  • Soundeffekt
  • Sounds aus dem Weltall
  • Udo matthias drums
  • Unterricht MAXMSP Live Java Assembler etc.

Copyright Afrigal Binzen (Basel) 2026 | Theme by ThemeinProgress | Proudly powered by WordPress

Afrigal Binzen (Basel)
  • You are here :
  • Home
  • Afrigal
  • Pal Thowsen

Written by Afrigal on 26/03/2021

Pal Thowsen

Afrigal Article

udo matthias drums electronic software

 

Pal Thowsen

(* 15. Juli 1955 in Lillestrøm) ist ein norwegischer Jazz-Schlagzeuger.

Thowsen lehrt am Norwegian Music College.

Pål Thowsen has won the Norwegian Grammy twice, in 1977 and 79, he has also been nominated five times for the same price.

In 1985 he was voted in as number 5 on the list of Europe’s best drummers in the German magazine “Jazz Forum.” In 2000 he received The Norwegian lifelong State income guarantee for artists.

He has made eight records in his own name and appeared on approx. ninety records with different artist and toured, played on tv and radio productions both with his own band and other groups. Since his career started in 1973, he has been playing his drums on Jazz festivals in Norway and Europe.

For the past three years he has been playing in the band Dag Arnesen Trio and he is teaching at the Norwegian Musical College. And he plays in the band Metropolitan.

His professional career started at the age of seventeen, playing the drums in Arild Andersen Quartet. And from 1974- 1978 he did four albums with the quartet: “Clouds in my head.” ECM. “Shimry.” ECM. “Green shading into blue.” ECM and “Jazz Jamboree vol.1” Warzava Rec. They toured all over Europe and in Norway playing on festivals and doing concerts. At the same time he also played in the jazz rock group Moose Loose. In 1973 he started his lifelong collaboration with Jon Eberson.

From 1974 to 1990 he made approximately 10 records with Ketil Bjørnstad, and he was the musical adviser for the record “Leve Pantagonia.” Polygram. This also led to several recordings with Ole Paus.

He played on the classic, “Nøkkelen ligger under matta.” (1974) with Finn Kalvik. In 1976 he entered the studio and did a remarkable record with his famous colleague Jon Christensen. For this record, “No time for time”, they received the Norwegian Grammy.

From 1977 to -79 he was a member of the Radka Toneff Quintet, besides touring they did the significant album, “It don’t come easy.” in 1979. And in 1979 he also won the Norwegian grammy for his own record, “Surprise.”

He played with Terje Rypdal Band from 1981- 84 and with the legendary Jazzpunk ensemble from 1982 to 1997.

In 1983 he also toured all over Scandinavia with “The Scandinavian Today Tour,” led by Palle Mikkelborg. At this time he also worked a lot with Janne Schaffer and Bjôrn J:son Lindh.

With Jon Eberson he has played since the start of his carreer from smaller bands like the Net, and the quartet Halle Eberson Kjellemyr Thowsen, to the Jazzpunkensemble. And since 1998 he has also played concerts and recorded with “The Metropolitan feat. Beate Slettevold Lech.”

He is also playing in a trio with Sinnika Langeland and Bjørn Kjellemyr and for the record “Runoja.” Sinnika received the Edvard price in 2003.

The trio with Dag Arnesen, Thowsen, Gewelt, released the record “Time Enough.” in 2005, They started working together in 2004, and they and their next record will be relased in January 2007. They have toured Norway and played on a Molde Jazzfestival and Bergens Mai Jazz

In the 80´s he released solo albums in the west coast music style and also had a project with the singer Tor Endresen.

 

 

Written by Afrigal

musician-drummer-programmer-electronic-blues-jazz-fusion-worldmusic

Tags: Ableton, Afrigal, Afrika, Anthony Braxton, Arild Andersen, Basel, Beate Slettevold Lech, Bergens Mai Jazz, Bern, Bjôrn J:son Lindh, Bjørn Kjellemyr, C++, Chuck, Clouds in my head., Dag Arnesen, Dag Arnesen Trio, ETH Zürich, Freiburg im Breisgau, Gewelt, Halle Eberson; Kjellemyr Thowsen, Janne Schaffer, Jazz Forum, Jazzpunk, Jon Christensen, Jon Eberson, Kandern, Karl Friedrich Gerber, Ketil Bjornstad, Kraftwerk, Leve Pantagonia, Lörrach, Luzern, MAXMSP, Metropolitan, Molde Jazzfestival, Moose Loose, Müllheim, Nebenau, Neue Musik, Norway, Norwegen, Norwegian Grammy, Norwegian Musical College, Nøkkelen ligger under matta, Pal Thowsen, Palle Mikkelborg, Peter Giger, Pierre Favre, Polygram, Puredata, Radka Toneff Quintet, Resin Binzen, Rheinfelden, Runoja, Sinnika Langeland, Soundart, Surprise, Terje Rypdal, Time Enough, Tor Endresen, Udo Matthias drums/electronic/software, Weil am Rhein, Wilfrid Kirner Berlin, Wollbach, Zürich
Januar 2026
M D M D F S S
 1234
567891011
12131415161718
19202122232425
262728293031  
« Dez.    
  • Januar 2026
  • Dezember 2025
  • November 2025
  • Oktober 2025
  • September 2025
  • August 2025
  • Juli 2025
  • Juni 2025
  • Mai 2025
  • April 2025
  • März 2025
  • Februar 2025
  • Januar 2025
  • Dezember 2024
  • Oktober 2024
  • September 2024
  • August 2024
  • Juli 2024
  • Mai 2024
  • April 2024
  • März 2024
  • Februar 2024
  • Januar 2024
  • Juli 2023
  • Juni 2023
  • Mai 2023
  • April 2023
  • März 2023
  • Januar 2023
  • Dezember 2022
  • November 2022
  • Oktober 2022
  • September 2022
  • August 2022
  • Juli 2022
  • Juni 2022
  • Mai 2022
  • April 2022
  • März 2022
  • Februar 2022
  • Januar 2022
  • Dezember 2021
  • November 2021
  • Oktober 2021
  • September 2021
  • August 2021
  • Juli 2021
  • Juni 2021
  • Mai 2021
  • April 2021
  • März 2021
  • Februar 2021
  • Januar 2021
  • Dezember 2020
  • November 2020
  • Oktober 2020
  • September 2020
  • August 2020
  • Juli 2020
  • Juni 2020
  • Mai 2020
  • April 2020
  • März 2020
  • Februar 2020
  • Januar 2020
  • Dezember 2019
  • November 2019
  • Oktober 2019
  • September 2019
  • August 2019
  • Juli 2019
  • Juni 2019
  • Mai 2019
  • April 2019
  • März 2019
  • Februar 2019
  • Januar 2019
  • Dezember 2018
  • November 2018
  • Oktober 2018
  • September 2018
  • August 2018
  • Juli 2018
  • Juni 2018
  • Mai 2018
  • April 2018
  • März 2018
  • Februar 2018
  • Januar 2018
  • Dezember 2017
  • November 2017
  • Oktober 2017
  • September 2017
  • August 2017
  • Juli 2017
  • Juni 2017
  • Mai 2017
  • April 2017
  • März 2017

@afrigal | Theme by ThemeinProgress | Proudly powered by WordPress