Archives for Mai, 2024

Release Music Orchestra

udo matthias drums electronic software           Release Music Orchestra Das Release Music Orchestra, kurz RMO, war

Posted in Afrigal, Art Kunst allgemein, Ästhetik, experimental, Neo Krautrock Tagged with: Ableton, Afrigal, Afrika, Anthony Braxton, Art in general, Basel, Bern, C++, Chuck, ETH Zürich, Experimentelle Musik, Freiburg im Breisgau, Hamid Drake, Harry Lehmann, Improvisierte Musik, Jazz, jimi hendrix, john coltrane, Karl Friedrich Gerber, Klaus Weinhold, Release Music Orchestra, RMO, Udo Matthias drums/electronic/software, Weil am Rhein, Wilfrid Kirner Berlin, Zürich

Gail Priest

udo matthias drums electronic software             Gail Priest We’re not afraid of the dark (live)

Posted in Afrigal, Art Kunst allgemein, Ästhetik, elektronische Klangmusik, experimental Tagged with: Ableton, Afrigal, Afrika, Anthony Braxton, Art in general, Basel, Bern, ETH Zürich, Experimentelle Musik, Freiburg im Breisgau, Gail Priest, Hamid Drake, Improvisierte Musik, jimi hendrix, john coltrane, Karl Friedrich Gerber, Klaus Weinhold, Kraftwerk, Lörrach, Luzern, MAXMSP, Müllheim, Puredata, Rheinfelden, Soundart, Udo Matthias drums/electronic/software, Weil am Rhein, Zürich

Lisa Ann Schonberg

udo matthias drums electronic software         Lisa Ann Schonberg https://www.lisaschonberg.com/tom-tom-magazine   Built Hidden Soundscape: Pipeline Road, Gamboa

Posted in Afrigal, Art Kunst allgemein, Ästhetik, experimental, Free Improvisation, Klanglandschaften Tagged with: Ableton, Afrigal, Afrigal Binzen, Afrika, Basel, Bern, Binzen, C++, Chuck, ETH Zürich, Experimentelle Musik, Freiburg im Breisgau, Harry Lehmann, Lisa Ann Schonberg, Lörrach, Luzern, MAXMSP, Müllheim, Neue Musik, Peter Giger, Pierre Favre, Puredata, Resin Binzen, Rheinfelden, Soundart, Weil am Rhein, Zürich

Peter Sculthorpe

udo matthias drums electronic software               Peter Sculthorpe (* 29. April 1929 in Launceston,

Posted in Afrigal, Art Kunst allgemein, Ästhetik, Computer Music, Klanglandschaften Tagged with: Ableton, Afrigal, Afrika, Anthony Braxton, Art in general, Basel, Bern, Bruno Spoerri, C++, Chuck, ETH Zürich, Experimentelle Musik, Flüchtlingspolitik, Freiburg im Breisgau, Hamid Drake, Harry Lehmann, Improvisierte Musik, Jazz, jimi hendrix, john coltrane, Kandern, Karl Friedrich Gerber, Klaus Weinhold, Klimawandel, Kraftwerk, Lörrach, Luzern, MAXMSP, Müllheim, Neue Musik, Peter Culthorpe, Peter Giger, Pierre Favre, Puredata, Resin Binzen, Rheinfelden, Schlagzeug, Soundart, Udo Matthias drums/electronic/software, Weil am Rhein, Zürich

Florian Arbenz

udo matthias drums electronic software       Florian Arbenz CH- Basel   Am besten bekannt für seine Arbeit mit

Posted in Afrigal, Art Kunst allgemein, Ästhetik, Jazz Tagged with: Aarau, Ableton, Afrigal, Afrika, Anthony Braxton, Art in general, Basel, Berliner Schule, Bern, Bruno Spoerri, C++, Chuck, ETH Zürich, Experimentelle Musik, Florian Arbenz, Freiburg im Breisgau, Hamid Drake, Harry Lehmann, Improvisierte Musik, Jazz, jimi hendrix, john coltrane, Karl Friedrich Gerber, Klaus Weinhold, Kraftwerk, Lörrach, Luzern, MAXMSP, Müllheim, Neue Musik, Peter Giger, Pierre Favre, Puredata, Resin Binzen, Rheinfelden, Soundart, Udo Matthias drums/electronic/software, Vein, Weil am Rhein, Wilfrid Kirner Berlin, Wollbach, Zürich