Category: Computer Music

September 12th, 2020 by Afrigal

udo matthias dums electronic software

Techno

Electronic Beats

Der Rhythmus ist schnell, aber einfach. Der Bass treibt stetig voran. Es gibt nicht den einen Erfinder für die elektronische Tanzmusik. Die Band Kraftwerk soll den Techno aber entscheidend geprägt haben

 

Electro

 

 

 

Posted in Computer Music, Udo Matthias Tagged with: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

September 7th, 2020 by Afrigal

udo matthias drums electronic software

Jon Hassel

 

Posted in Computer Music Tagged with: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

September 1st, 2020 by Afrigal

udo matthias drums electronic software

Live Code Scene

Designing a reprogrammable instrument

Click me!!

 

 

 

 

 

 

 

Posted in Computer Music, Sound Art Tagged with: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

August 16th, 2020 by Afrigal

udo matthias drums electronic software

Michael Klingbeil

 Spear

Compositions

Recording and score samples are available for most of the works listed. To access complete recordings and scores please contact me directly at:

Chamber

Scatter / Gather (2010)
percussion trio
duration: 12′
Yale Percussion Group, Leonardo Gorisoto, John Corkill, Dennis Petrunin
mp3 (excerpt) | score sample (pdf)
Subterrain (2009)
solo B-flat clarinet — vln, vla, vc — electronics
duration: 12′
first performance: May 13, 2009, at the Austrian Cultural Forum by Carol McGonnell and the Argento Chamber Ensemble.
mp3 (excerpt) | score sample (pdf)
Tear of the Clouds (2008)
fl, ob, cl, bsn — hn, tpt, tbn — kbd — perc — vln, vla, vc, cb — electronics
duration: 13′
first performance: May 6, 2008, at Merkin Concert Hall by the Manhattan Sinfonietta led by Jeffrey Milarsky.
mp3 (excerpt) | score sample (pdf)
ce cours de sable qui glisse (2005)
vla, tbn, perc
duration: 9′
first performance: August 18, 2006, Killkenny Arts Festival, Kilkenny, Ireland by Argento Chamber Ensemble members Stephanie Griffin, viola, Tim Albright, trombone, and Matt Ward, percussion.
score (pdf, complete)
Signals (2004)
piano quintet, electronics
duration: 16′
first performance: April 14, 2004, at Merkin Concert Hall; Miranda Cuckson and Calvin Wiersma, violins, Lois Martin, viola, Michael Finckel, cello, Eric Huebner, piano, and Michel Galante, conductor.
mp3 (excerpt) | score sample (pdf)
Meristos (2001)
ob, cl, vn, vc, pno
duration: 9′
Commissioned by the New York Youth Symphony and completed in August 2001 while at the Aspen Music Festival.
first performance: April 16, 2002 at Weill Recital Hall at Carnegie Hall by members of the New York Youth Symphony Chamber Music Program, Todd Tarantino conducting.
This recording from a live performance held at Tenri on November 23, 2002.
mp3 (excerpt) | score sample (pdf)
1706° F (1999–2000)
fl/picc, cl, vn, vc, pno, perc, electronics
duration: 8′
Begun in December 1999 and completed November 2000.
first performance: November 11, 2000 by the University of Illinois New Music Ensemble in Urbana, Illinois.
mp3 (excerpt) | score sample (pdf)
Descent (1999)
horn and piano
duration: 9′
Begun July 1999 and completed in January 2000.
first performance: March 7, 2000 in Urbana, Illinois by Wayne Lu, horn and David Psenicka, piano.
mp3 (excerpt) | score sample (pdf)

Large Ensemble

November Gales (1999)
picc, 2 fl, 2 ob, E hn, 2 cl, bs cl, 2 bsn, c bsn — 4 hn, 3 tpt, 2 tbn, bs tbn, tuba — timp, 3 perc — hp — strs
duration: 10′
Begun September 1998 and completed May 1999.
mp3 (excerpt) | score sample (pdf)
Athanor (2000)
2 fl, 2 ob, 2 cl, 1 bsn — 1 hn, 2 tpt, 1 bs tbn — 2 perc — 3 vln, 3 vla, 2 vc, 1 cb
duration: 6′
Begun March 2000 and completed June 2000.
Read by the Orchestre Lyrique de Région Avigonon-Provence in July 2000 in Avignon, France.
mp3 (excerpt) | score sample (pdf)

Solo

Monoliths and Interludes (2002)
solo piano
duration: 22′
First performance: September 10, 2005 at Merkin Concert Hall by Augustus Arnone.
mp3 (excerpt) | score (pdf, complete)

Electronic

Beta Warp (2003)
stereo or 5.1 playback
duration: 8’49“
created with Common Music and Common Lisp Music
mp3 (complete)

Posted in Computer Music Tagged with: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

August 14th, 2020 by Afrigal

udo matthias drums electronic software

Hiroshi Yoshimura

 

Hiroshi Yoshimura,Black And White.jpg

 

 

 

 

 

 

Ambient Music

 

 

 

 

 

 

Posted in Computer Music Tagged with: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Juli 27th, 2020 by Afrigal

udo matthias drums elctronic software

Musimathics

Musimathics, Volume 1

usw.

 

 

Posted in Computer Music, Sound Art, Udo Matthias Tagged with: , , , , , , , , , , , , , , , , , , , , , , , , , ,

Juli 20th, 2020 by Afrigal

udo matthias drums electronic software

Gerald Benett

 

 

 

 

 

 

Gerald Bennett was born in 1942 in New Jersey (USA). He graduated magna cum laude from Harvard College in 1964. From 1967–1976 he taught at the Basel Conservatory and additionally served as director from 1969–1976. From 1976–1981 he served as head of the department at the Institut de Recherche et Coordination Acoustique/Musique (IRCAM) in Paris. Since 1981 he has been professor of music theory and composition at the Hochschule für Musik in Zurich. He co-founded the International Confederation of Electroacoustic Music (ICEM) in 1983 and served as its secretary from 1986–1992. In 1985 he co-founded, with Bruno Spoerri, the Swiss Center for Computer Music. In 1993 he joined the International Academy of Electroacoustic Music of Bourges, France.
Bennett lives outside Basel.

Leben

Bennett studierte Komposition bei Robert Moevs an der Harvard University und bei Klaus Huber an der Musik-Akademie der Stadt Basel.

Danach war er Dozent für Musiktheorie am Basler Konservatorium. Er baute das IRCAM in Paris mitauf und war von 1976 bis 1981 Abteilungsleiter für akustische und psychoakustische Forschung ebenda. Er entwickelte mit Xavier Rodet die Computersprache CHANT. Von 1981 bis 2007 war er Lehrer für Komposition und Musiktheorie an der Zürcher Hochschule der Künste (ZHdK, vormals Hochschule für Musik und Theater (HMT), vormals Musikhochschule Winterthur Zürich (MWZ), vormals Konservatorium und Musikhochschule Zürich). Er ist Mitbegründer der Confédération Internationale de la Musique Electroacoustique der UNESCO und des Schweizerischen Zentrums für Computermusik. 2005 gründete er mit Daniel Fueter das ICST (Institute for Computer Music and Sound Technology), das ein Forschungsinstitut des Departements Musik der ZHdK ist. Seit 1993 ist er Mitglied der International Electroacoustic Music Academy. Seine Werke sind bei den Tre Media Musikverlagen verlegt.

 

 

 

Posted in Computer Music, Experimentelle Musik Tagged with: , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Juli 19th, 2020 by Afrigal

udo matthias drums electronic software

Rußland

 

Posted in Afrigal, Computer Music, Experimentelle Musik, Sound Art Tagged with: , , , , , , , ,

Juli 19th, 2020 by Afrigal

 

udo matthias drums electronic software

Xavier Rodet

Gesangsstimme Analyse und Synthese

IRCAM Video

 

Video

Stanford

 

 

 

 

Posted in Computer Music, Experimentelle Musik, Improvisierte Musik, Udo Matthias Tagged with: , , , , , , , , , , , , ,

Juli 17th, 2020 by Afrigal

udo matthias drums electronic software

Paul          Lansky

Sprach-Analyse und Synthese ist ein mehr als interessantes Technotop.

Six Fantasies on a Poem by Thomas Campion (Paul Lansky, 1978) Hannah MacKay, reader; Paul Lansky, electronics 1. her voice http://youtu.be/7tficLB9Ts4 2. her presence http://youtu.be/PBLLjVEfwL4 3. her reflection http://youtu.be/ZK1Cob3G4EY 4. her song 5. her ritual http://youtu.be/uM3AECSO18U 6. her self http://youtu.be/I808PRIn9sw from „Paul Lansky: Fantasies and Tableaux“ New World Records / CRi CR683 http://www.newworldrecords.org/album…. www.newworldrecords.org ©2015 Anthology of Recorded Music, Inc. All Rights Reserved.
6 Fantasies enthält elegante Demonstrationen der musikalischen Verwendung der linearen prädiktiven Codierung in der Sprachsynthese durch Analyse. In jedem der sechs Sätze betont Lansky einen anderen Aspekt einer einzigen Lesung des Gedichts durch die Schauspielerin Hannah MacCay. Der Komponist schreibt: „Meine Hauptabsicht war es, die implizite Musik in einer Gedichtlesung so zu erläutern, daß die Lesung selbst am Ende explizit musikalisch ist.
 
 
Homepage
 
 
 
more videos

 

 

Posted in Computer Music, Experimentelle Musik Tagged with: , , , , , , , , , , , , ,