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I began Experiments in Musical Intelligence in 1981 as the result of a composer’s block. My initial idea involved creating a computer program which would have a sense of my overall musical style and the ability to track the ideas of a current work such that at any given point I could request a next note, next measure, next ten measures, and so on. My hope was that this new music would not just be interesting but relevant to my style and to my current work. Having very little information about my style, however, I began creating computer programs which composed complete works in the styles of various classical composers, about which I felt I knew something more concrete.