Archives for Mai, 2023

Odean Pope

udo matthias drums electronic software – afrigal       Odean Pope (* 24. Oktober 1938 in Ninety Six, South

Posted in Afrigal, Art Kunst allgemein, Ästhetik, diverse Links, experimental, Free Improvisation, Free Jazz, Jazz, Musik & Spiritualität Tagged with: 1971 bis 1974 Catalyst, 24. Oktober 1938, Aarau, Ableton, Afrigal, Afrika, Almost Like Me, Amherst College, Anthony Braxton, Archie Shepp, Aretha Franklin, Art Blakeys Jazz Messengers, Art in general, Artist in Residence, Basel, Benjamin Franklin High School, Benny Golson, Berklee School of Music, Berliner Schule, Bern, Boston, Bruno Spoerri, C++, Chet Baker, Chuck, Clark Terry, Cleveland, Community College of Philadelphia, Cornell Rochester, Craig McIver, Cuyahoga Community College, der Granoff School of Music, Dizzy Gillespie, Elvin jones, ETH Zürich, Experimentelle Musik, Freiburg im Breisgau, Gerald Veasley, Grachan Moncur III, Grover Washington junior, Hamid Drake, Harry Lehmann, Hasaan Ibn Ali, Improvisierte Musik, International Association for Jazz Education, Jazz, Jazz-Saxophonist, jimi hendrix, Jimmy McGriff, john coltrane, Kandern, Karl Friedrich Gerber, Kenny Clarke, Klaus Weinhold, Kraftwerk, Kunst(neue)Musik, Lee Morgan, Lörrach, Luzern, Max Roach, Max Roach Europatournee, Max Roach Quartett, MAXMSP, mccoy tyner, Mickey Roker, Miles Davis, Müllheim, Nebenau, Neue Musik, Ninety Six, North Sea Jazz Festival Holland, Odean Pope, Paris, Peter Giger, Philadelphia, Philadelphia Midway Music School, Philadelphia Performing and Creative Arts High School, Pierre Favre, Puredata, Rahsaan Roland Kirk, Ray Bryant, Reggie Workman, Resin Binzen, Rheinfelden, Saxophone Choir, Soundart, South Carolina, Stevie Wonder, Tyrone Brown, Udo Matthias, Udo Matthias drums/electronic/software, Weil am Rhein, Wilfrid Kirner Berlin, Wollbach, Zürich