Archives for November, 2022

Mick Goodrick

udo matthias drums electronic software – afrigal         Mick Goodrick (* 9. Juni 1945 in Sharon, Pennsylvania;

Posted in Afrigal, Afrigal, Art Kunst allgemein, Ästhetik, Jazz, Soundart, Udo matthias drums Tagged with: 1970 Chicago, Aarau, Ableton, Afrika, Anthony Braxton, Art in general, Basel, Berklee College of Music, Berliner Schule, Bern, Bruno Spoerri, C++, Cadet, Charlie Hadens, Chuck, Claudio Fasoli, Creative Chordal Harmony for Guitar, Dan Wall, Dave Liebman, DeJohnettes Special Edition, Dewey Redman, Dominique Eade, Duo mit Joe Diorio, Ed Byrne, Eddie Gomez, ETH Zürich, Experimentelle Musik, Fasoli, Fingerstyle-Technik, Freiburg im Breisgau, George Garzone, Greg Hopkins., Haden, Hal Crook, Hamid Drake, Harry Lehmann, Improvisierte Musik, In The Public Interest., Jack DEJohnette, Jazz, Jerry Bergonzi, Jim Hall, jimi hendrix, John Abercrombie, john coltrane, John Scofield, John Surman, Kandern, Karl Friedrich Gerber, Kent Sangster, Klaus Weinhold, Kraftwerk, Kunst(neue)Musik, Laszlo Gardony, Lello Molinari, Liberation Music Orchestra, Lörrach, Luzern, MAXMSP, Mick Goodrick, Mika Pohjola, Mr. Goodchord’s Almanac of Guitar Voice-Leading for the Year 2001 and Beyond., Müllheim, Nebenau, Neue Musik, New England Conservatory, Palle Danielsson, Paolino Dalla Porta und Billy Elgart, Pat Metheny, Paul Motian, Pennsylvania, Peter Giger, Phil Grenadier, Pierre Favre, Puredata, Randy Roos, Resin Binzen, Rheinfelden, Sharon, Soundart, Stan Kentons Sommercamps, Steve Swallow, The Advancing Guitarist, The New Quartet, Three Play + American Waltz, Tim Miller, Tom Lord, Tony Oxley, Udo Matthias, Udo Matthias drums/electronic/software, Using Generic Modality Compression (Berklee Press/Hal Leonard 2012)., Vardan Ovsepian, Vibraphonisten Gary Burton, Weil am Rhein, Wilfrid Kirner Berlin, Wolfgang Muthspiel, Wollbach, Woody, Woody Herman and His Orchestra, Zürich