Archives for Juni, 2022

Jun

21

2022

udo matthias drums electronic software – afrigal Makaya Ntshoko (* 29. Oktober 1939 in Kapstadt, Südafrika) ist

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Posted in Afrigal, positive Negativität, Udo matthias drums Tagged with: 1960, 1972, Aarau, Ableton, Adam Taubitz (vl), Afrigal, Afrika, Andy Scherrer (ts), Anthony Braxton, Apartheid, Art in general, Basel, Ben Webster, Benny Bailey, Berliner Schule, Bern, Bob Degen, Bruno Spoerri, C++, Chuck, Dexter Gordon, Dollar Brand, Dollar Brand im Trio, Don Cherry, Dudu Pukwana, Duke Ellington, Dusko Goykovich, Elvin jones, ETH Zürich, Experimentelle Musik, Freiburg im Breisgau, George Gruntz, Hamid Drake, Hannibal Marvin Peterson, Harry Beckett, Harry Lehmann, Heinz Sauer, Improvisierte Musik, Irene Schweizer, Isla Eckinger, Jazz, Jazz Epistles, jimi hendrix, Joe Haider, Joe Henderson, Johannesburg, john coltrane, John Tchicai, Johnny Dyani, Johnny Gertze, Jonas Gwangwa, Kandern, Kapstadt, Karl Berger, Karl Friedrich Gerber, Kenny Drew, Kippie Moeketsi, Klaus Weinhold, Kraftwerk, Kunst(neue)Musik, Lörrach, Luzern, Mackay Davashe, Makaya and the Tsotsis, Makaya Ntshoko, Mal Waldron, Masekela, MAXMSP, Modern Jaz, Müllheim, Nebenau, Neue Musik, Omri Ziegele, Pepper Adams, Peter Giger, Piere Favre, Pierre Favre, Polyrhythmik, Puredata, Resin Binzen, Rheinfelden, Roland Kirk, Roman Schwaller, Rose Ntshoko, Sathima Bea Benjamin, Soundart, Stephan Kurmann (b), Steve Lacy, Svend Asmussen, Udo Matthias drums/electronic/software, Ursula Gyger, Vera Kappeler (p), Weil am Rhein, Wilfrid Kirner Berlin, Willisau, Wollbach, Zürich