Archives for Juli, 2025

Ostrich-Tuning

udo matthias drums electronic software Afrigal Ed Force Binzen                   Ostrich-Tuning Ostrich

Posted in Afrigal, Ästhetik, experimental Tagged with: „Ostrich-Tuning“, „satter, „What Goes On?“, 1964, Ableton Racks, All Tomorrow’s Parties"., Angus MacLise, Bordunmusik, D-Tuning, Drone, experimenteller Musik., John Cale, John Cale hatte „Loop“ 1964, La Monte Young, Lou Reed, Lou Reed and the Primitives, Minimal, Moe Tucker, Noise, Schüler von La Monte Young, Sterling Morrison, The Ostrich, triviales Tuning, Velvet Underground (Lou Reed), Venus in Furs, vibrierender Klangteppich“

Elvin Ray Jones

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Posted in Afrigal, Jazz, Udo matthias drums Tagged with: 1960, Afrigal, Afrika, Basel, Bern, Chuck, Elvin Jones (1979), Elvin Jones Jazz Machine, Elvin Ray Jones, ETH Zürich, Frank Catalano, Freiburg im Breisgau, Geschichte des Jazzdrumming, Horace Silver, Innovatoren des Jazzdrumming im Modern Jazz, john coltrane, Kandern, Lörrach, Luzern, McCoy Tyner and David Murrays Album Special Quartet, Müllheim, Paul Motian, Ravi Coltrane, Stefano Di Battista, Tony Williams, Udo Matthias drums/electronic/software, Western-Film Zachariah, Willie Pickens, Wollbach, Zürich

Velvet Underground

udo matthias drums electronic software Afrigal Binzen               The Velvet Underground   war eine

Posted in Afrigal, Ästhetik, experimental, Klanglandschaften, Udo matthias drums Tagged with: „Drone“-Effekt, „Ostrich-Tuning“, Andy Warhol, Angus MacLise, Artrock, Basel, Binzen, Brummen), Debütalbum, deutschen Sängerin Nico, Drogensucht, Experimental, John Cage, John Cale, kommerziell erfolglos, La Monte Young, La Monte Young und dessen als „Drones“ (Dröhnen, Lörrach Freigurg i.Brsg., Lou Reed, Maureen Tucker, New York City, Protégées, Protopunk, Sadomasochismus, Sterling Morrison, Transvestitismus, ungewöhnliches Schlagzeugspiel, Velvet Underground, Zürich

Thomas Lang

udo matthias drums electronic software Afrigal Binzen               Thomas Lang   1967- ist ein

Posted in drummer Tagged with: Thomas Lang

Bill Ward

udo matthias drums electronic software Afrigal Binzen CH Ed Force                 Bill Ward

Posted in Afrigal, drummer, Power Electronic, Udo matthias drums Tagged with: 1948, 1964, 1980, Band Mythology, Bass Drum, Bassisten Terry "Geezer" Butler, Bill Ward, Black Sabbath, Buddy Rich, Doublebassschlagzeug, Heaven-and-Hell-Tour, LSD, Ozzy Osbourne, Paranoid, Polka Tulk Blues Band, Slingerland, Snare Drum, Splash-Becken, Tony Iommi, War Pigs, White Marine Pearl

Erik Satie

udo matthias drums electronic software Afrigal Binzen Ed Force Basel               Erik Satie (mit

Posted in Afrigal, Ästhetik, elektronische Klangmusik, Free Improvisation, positive Negativität, Soundart, Soundeffekt Tagged with: Alice Sara Ott, Claude Debussy, Erik Satie, Jean Cocteau, Kety Fusco, Maurice Ravel, Nicolas Horvath, Pablo Picasso, Thylacine

Alice Coltrane

udo matthias drums electronic software Afrigal Binzen Ed Force Basel                 Alice Coltrane

Posted in Afrigal, Art Kunst allgemein, Ästhetik, Free Jazz, Kunst Raum Neue Musik, Sounds aus dem Weltall Tagged with: Alice Coltrane, Carlos Santan, Charlie Haden, Detroit, Elvin jones, Harfe, Jimmy Garrison, john coltrane, Orgel, Pharoah Sanders, Piano, Rashid Ali, Swami Turiyasangitananda

Tommy Aldridge

udo matthias drums electronic software Afrigal Binzen Ed Force Basel                 Tommy Aldridge

Posted in Afrigal, Blues & Rock, Udo matthias drums Tagged with: Afrigal, Art Blakey, Billy Cobham, Binzen, drums, Ginger Baker, Joe Morello, John Bonham, Louis Bellson, Max Roach, Tommy Aldridge

David Coverdale

udo matthias drums electronic software Afrigal Binzen Ed Force Basel               David Coverdale (*

Posted in Afrigal Tagged with: Afrigal, Binzen, Burn, Come Taste the Band, Coverdale/Page, David Coverdale, Deep Purple, Ian Gillan, Melody Maker, Ritchie Blackmore, Soldier of Fortune, Stormbringer, Tommy Bolin, Udo Matthias Ästhetik und Experiment, Whitesnake

Tomas Haake

udo matthias drums electronic software Afrigal Ed Force Basel               Tomas Nils Haake (born

Posted in Afrigal, drummer Tagged with: [6] Sean Reinert (Cynic), [7] Neil Peart (Rush), American bands such as Metallica, and Canadian band Rush.[2] His favourite drummers include Phil Rudd (AC/DC), Anthrax, Art in general, Basel, Bern, Bill Ward (Black Sabbath), Catch Thirtythree, Chaosphere, Choirs of Devastation, Contradictions Collapse, Dave Weckl, Destroy Erase Improve, ETH Zürich, Fredrik Thordendal, Freiburg im Breisgau, Futile Bread Machine, Haake has cited musicians from heavy metal, Ian Mosley (Marillion), jazz fusion and progressive rock as influences. He cites English bands such as Iron Maiden and Black Sabbath, john coltrane, Kandern, Lars Ulrich (Metallica), Lörrach, Luzern, Megadeth, Meshuggah, Metal, Modern Metal, Müllheim, Nothing, obZen, Phil Rudd (AC/DC) Bill Ward (Black Sabbath, polymeters, provides spoken vocals on Meshuggah, Resin Binzen, Rheinfelden, Rolling Stone, Sebastian Thomson (Trans AM), Slayer, Sol Niger Within, Soundart, Terry Bozzio (Missing Persons and Frank Zappa), Testament and Metal Church, The Exquisite Machinery of Torture, The True Human Design, Tomas Haake, Vinnie Appice, Vinnie Colaiuta and Gary Husband.[2], Weil am Rhein, Zürich

Harald Haerter

udo matthias drums electronic software Afrigal Ed Force Basel               Harald Haerter Der 1958

Posted in Afrigal, Jazz Tagged with: 1958, Arthur Blythe, Band Catscan, Berklee College of Music, BIBOUL DAROUICHE, Bop, CATSCAN, CHRISTOPH STIEFEL, Dewey Redman, Erik Truffaz, Free, Funk, Fusion, Gitta Kahle, Harald Haerter, Hilaria Kramer, Intergalactic Maidenballet, ITM, joe lovano, Johannes Enders, John Scofield, jojo Mayer, Michael Brecker, Nils Petter Molvær, Rock, ROLAND PHILIPP, Schweizer Gitarrist, WIETN WITO, Zürich